Chobi Mela

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Chobi Mela

Chobi Mela

For are not all photographers dreamers? We paint with light, to hold on to the ephemeral. We play with tones to arrest the fluidity of the transient. We play with form to navigate the edges of our borders. We tug and pull fleeting elements in a never-ending search to redefine what we know and discover what we don’t. It is a restless search, for even in the stillness of a timeless image, the soul wanders, looking for new meaning. Old contact sheets, reworked digital files, uncoupled layers and translucent paths, vintage prints, digital composites all blend seamlessly in the curator’s relentless choreography, in a festival of light and darkness.

As dream merchants, we create images that confront us with horrific facts, and allure us with magical metaphors. We seek a society where love songs are cherished and curiosity celebrated. We conjure up a mystical world, through light and shape and dancing pixels. We toy with perceptions and juggle facts. We trade in the currency of dreams, and flirt with an elusive reality. So to turn to dreams after ‘Differences’, ‘Exclusion’, ‘Resistance’, ‘Boundaries’ and ‘Freedom’ is perhaps to return to what holds us together in the face of all our obstacles, the foci of all our longings. To realise our dreams is perhaps the ultimate paradise.

Photo (c) Karen Knorr (Puerto Rico)